Through the observation from cultural codes and eastern costumes, traditional paper-cut art and totem, in the Chinese society, reveal mainstream consciousness toward love, sex and felicities for “reproduction” and “normal pattern” in miniature. With the passage of time, expected role played by women should be loyal and humble.
"The shells of moral pattern" suppress female desire, bodies and soul so they don’t have self-oriented cogitation but serve others as anchor point to move. In hence, facing external changes, they are defenseless within empty shells in the patriarchal environment.
Nowadays, love and sexual connection cannot be limited by “moral pattern” or “legal framework”. Instead of ignoring the phenomenon and humanities under the surface of shell, we should face the gap between “moral surface” and “underlying reality” with open discussion.
Through the observation from cultural codes and eastern costumes, traditional paper-cut art and totem, in the Chinese society, reveal mainstream consciousness toward love, sex and felicities for “reproduction” and “normal pattern” in miniature. With the passage of time, expected role played by women should be loyal and humble.
"The shells of moral pattern" suppress female desire, bodies and soul so they don’t have self-oriented cogitation but serve others as anchor point to move. In hence, facing external changes, they are defenseless within empty shells in the patriarchal environment.
Nowadays, love and sexual connection cannot be limited by “moral pattern” or “legal framework”. Instead of ignoring the phenomenon and humanities under the surface of shell, we should face the gap between “moral surface” and “underlying reality” with open discussion.

Semi-Liquid Space
Animation Installation
2013
Each porcelain tile represents a key-frame. I designed , curved and glazed the 66 pieces of tiles. By taking pictures and exploiting post-production technologies, these still pieces become motion graphics. The video expresses the status of growing creatures within the wall, showing how they receive nutrients from the environment under the surface.
◤2013—National Taiwan Normal University Graduation Collection Exhibition awarded for Semi-Liquid Space◥










































Semi-Liquid Space
Interactive Installation
2014
After I finished animation, I try to combine image with pressure sensors, arduino and processing this work into an interactive installation. By pressing on the fabric mask’s spots (acupressure acupuncture points) which contains pressure sensors, the signal will be sent to the computer instantly to respond and make changes toward animation.
The action of pressing aims to show how to uncover ailment to soothe the underlying pressure in the individual. Correspondingly, this work can echo the viewpoint about the relationship between wall mold and social phenomenon I always mentioned from my works, and also put much more emphasis on how to find “invisible problem” to attack it.
