Through the observation from cultural codes and eastern costumes, traditional paper-cut art and totem, in the Chinese society, reveal mainstream consciousness toward love, sex and felicities for “reproduction” and “normal pattern” in miniature. With the passage of time, expected role played by women should be loyal and humble.
"The shells of moral pattern" suppress female desire, bodies and soul so they don’t have self-oriented cogitation but serve others as anchor point to move. In hence, facing external changes, they are defenseless within empty shells in the patriarchal environment.
Nowadays, love and sexual connection cannot be limited by “moral pattern” or “legal framework”. Instead of ignoring the phenomenon and humanities under the surface of shell, we should face the gap between “moral surface” and “underlying reality” with open discussion.
Through the observation from cultural codes and eastern costumes, traditional paper-cut art and totem, in the Chinese society, reveal mainstream consciousness toward love, sex and felicities for “reproduction” and “normal pattern” in miniature. With the passage of time, expected role played by women should be loyal and humble.
"The shells of moral pattern" suppress female desire, bodies and soul so they don’t have self-oriented cogitation but serve others as anchor point to move. In hence, facing external changes, they are defenseless within empty shells in the patriarchal environment.
Nowadays, love and sexual connection cannot be limited by “moral pattern” or “legal framework”. Instead of ignoring the phenomenon and humanities under the surface of shell, we should face the gap between “moral surface” and “underlying reality” with open discussion.
TAMARA HERNANDEZ PRODUCTIONS & PRODUCTIVE PLAYHOUSE ｜ HAPPILY NEVER AFTER
The Short Film "Happily Never After" is the pilot of TV series written and directed by writer and filmmaker Tamara Hernandez. The tragicomedy depicts a lonely and self-destructive self-help book writer starts hearing her electronic devices talk to her, she has to decide whether or not to trust them to help her fix her life.Below are some stills from the film and the opening and closing motion graphics designs I created for this project.
Happily Never After 是編劇兼導演塔瑪拉·埃爾南德斯（Tamara Hernandez）自編自導的電視劇試播集。這部悲喜劇講述了一位孤獨且自我毀滅傾向的自助書籍作家開始聽到自己的電子設備與她對話的故事。她必須決定是否相信這些設備可以幫助她重拾生活。 以下是一些劇照和我為本專案創作的片頭與片尾動態影像設計。
RESPONSIBLE FOR
Title and Credit sequences
for
HAPPILY NEVER AFTER
THE MAKING-OF
Below contains:
some cut-out motion graphics assets for title sequence.
sketch notes from brainstorming with Director remotely.
