Through the observation from cultural codes and eastern costumes, traditional paper-cut art and totem, in the Chinese society, reveal mainstream consciousness toward love, sex and felicities for “reproduction” and “normal pattern” in miniature. With the passage of time, expected role played by women should be loyal and humble.
"The shells of moral pattern" suppress female desire, bodies and soul so they don’t have self-oriented cogitation but serve others as anchor point to move. In hence, facing external changes, they are defenseless within empty shells in the patriarchal environment.
Nowadays, love and sexual connection cannot be limited by “moral pattern” or “legal framework”. Instead of ignoring the phenomenon and humanities under the surface of shell, we should face the gap between “moral surface” and “underlying reality” with open discussion.
Through the observation from cultural codes and eastern costumes, traditional paper-cut art and totem, in the Chinese society, reveal mainstream consciousness toward love, sex and felicities for “reproduction” and “normal pattern” in miniature. With the passage of time, expected role played by women should be loyal and humble.
"The shells of moral pattern" suppress female desire, bodies and soul so they don’t have self-oriented cogitation but serve others as anchor point to move. In hence, facing external changes, they are defenseless within empty shells in the patriarchal environment.
Nowadays, love and sexual connection cannot be limited by “moral pattern” or “legal framework”. Instead of ignoring the phenomenon and humanities under the surface of shell, we should face the gap between “moral surface” and “underlying reality” with open discussion.

UNIVERSITY OF SOUTHERN CALIFORNIA - VISIONS & VOICES |
SPARK!16th ARTS FEST: PROJECTION MAPPING "CHIASM BRAIN"
On August 19th, 2021, in celebration of diversity and the arts, this dynamic festival of live performances with interactive immersive installations takes place in front of the Bovard Auditorium as part of the USC welcome arts experience for incoming students. (Click LINK to see full event details.)
"CHIASM BRAIN", the single-channel site-specific projection mapping piece, is one of the multimedia installations without sound showcased and projected onto Bovard arch (projection area: W38 x H21 ft.) which intertwined perceptions and tunneled through color, movement, texture of different experimental clips which contain techniques like: mocap, filming under microscope, time-lapse, stop-motion, etc.
By Arching 2D hands-on animations over to 3D computer motion graphics, this 20 minutes on-board experience aims to take audience to travel in hyperspace of "primordial soup" which composed and seasoned by multiple animation vignettes from 7 projects including: Kinetic Colors, Gaia, Procedural Organic, Mary Shelley’s Frankenstein Re-Animated, Mad God, Proto-Floto and Mental Black Hole.
2021 年 8 月 19 日,為了慶祝多元化和藝術,這場充滿活力的現場表演和互動沉浸式裝置的節日將在博瓦德禮堂前舉行,作為南加州大學為新生舉辦的迎新藝術體驗的一部分。 (點擊連結查看完整活動詳情。) 「交叉腦」(CHIASM BRAIN)是一件單通道特定場域投影映射作品,是眾多無聲多媒體裝置之一,投影於博瓦德拱門(投影面積:寬38英尺 x 高21英尺)。作品將感知交織在一起,透過色彩、運動和紋理,展現出不同的實驗性片段,這些片段運用了動作捕捉、顯微鏡拍攝、縮時攝影、定格動畫等多種技術。 透過將二維動畫與三維電腦動態圖形結合,這20分鐘的沉浸式體驗旨在帶領觀眾進入「原始湯」的超空間。這「原始湯」由七個項目的多個動畫短片構成和調味,這些項目包括:Kinetic Colors, Gaia, Procedural Organic, Mary Shelley’s Frankenstein Re-Animated, Mad God, Proto-Floto and Mental Black Hole

Above is MOCKUP TRAILER
Below contains:
DOCUMENTATION VIDEO & MOTION KEY MOMENTS,
FULL PROJECTION CONTENTS & MOTION KEYFRAMES,
FULL CREDITS of this projection mapping piece along with
some more DOCUMENTATION PHOTOS of the arts fest
DOCUMENTATION VIDEO & MOTION KEY MOMENTS


FULL PROJECTION CONTENTS & MOTION KEYFRAMES


RESPONSIBLE FOR
creating, editing and remixing multimedia animation sequence
for
PROJECTION MAPPING
"CHIASM BRAIN"
FULL CREDITS FOR &
DOCUMENTATION PHOTOS
"CHIASM BRAIN" features digital works by Kaley Cho, Zoey Lin,
and other alumni from the John C. Hench Division of Animation & Digital Arts:
Tonia Belgari, Andrea Cao, Ana Carolina Estarita-Guerrero, Christine Xiaohan He, Cecilia Hua, Crystal Jow, Yo-Yo Lin, Evan Tedlock, Emma Wood, Emilia Yang.
Technical direction by Kaley Cho
Special thanks to Akiko Yamashita, professors Lisa Mann and Richard Weinberg, and Tippett Studio & Phil Tippett.
Documentation video by Zoey Lin
Documentation photos by Carell Augustus, Gina Clyne





































